Install this theme

'Cut-ups are for everyone. Anybody can make cut ups. It is experimental in the sense of being something to do. Right here write now. Not something to talk and argue about. Greek philosophers assumed logically that an object twice as heavy as another object would fall twice as fast. It did not occur to them to push the two objects off the table and see how they fall. Cut the words and see how they fall.' —Burroughs

The world of concrete and civilised congress is really just an illusory layer on top of our true animal world of grass and passion.

shamecore:

living in a hypersexualized world is actually very spiritually exhausting and alienating 

nuditea:

jesus. times are rough even in the clickbait industry. ten dogs sitting like humans that might cause you to quirk a lip or blow air out your nose once or twice. this video of a man helping his daughter with a school project will make you skip ahead a couple times, giving it a good five-second try each time, and then close the tab feeling as though you pretty much got the jist of it. you won’t click to the second page of this article but you will mention one of the items you skimmed on the first at a party in a desperate attempt to join in a conversation. faith in humanity: essentially unchanged. mind: frequently shaken simply by living in this world, but remaning whole and in one piece

nuditea:

jesus. times are rough even in the clickbait industry. ten dogs sitting like humans that might cause you to quirk a lip or blow air out your nose once or twice. this video of a man helping his daughter with a school project will make you skip ahead a couple times, giving it a good five-second try each time, and then close the tab feeling as though you pretty much got the jist of it. you won’t click to the second page of this article but you will mention one of the items you skimmed on the first at a party in a desperate attempt to join in a conversation. faith in humanity: essentially unchanged. mind: frequently shaken simply by living in this world, but remaning whole and in one piece

This Narrator

So I bought an eighth and hit the road to Bethlehem,
or mine anyway. I was born in a shack, fully grown.
My mother may have been a lamb and my father a wolf,
but I have none of those qualities, save for her
paranoia and his baldness. I am not bald yet, but I will be.

I will be. When I awaken on a Sunday and I am alone,
which is rare these days, I can actually feel
genius sparking up in me. The bright morning haze
is just a tool to me, something to make something of.
But I make nothing, these days. And that’s the first of me.

Here’s the last of me: I am only playing a game here,
and I am to descend or ascend one day, when I have
made something. But forests have become a symbol. When
friends salute the sun, I cannot partake. I have
done it already before. A spirit sent to enlighten

doesn’t need the light of a sun. Isn’t it a giggle
to pretend anything has meaning? Am I ever-changing
or a hollow? So now you know me. I won’t give you
the benefit of a plot, except to say: one day I bought
an eighth and set off for my birthplace, and instantly arrived.

Instantly arrived.

24

When I close the back door

on the overgrown lawn,

one dog, and another opposite,

and another, and all the dogs in the street

are barking

because I closed it slightly too loudly,

and yet I am ineffectual.

carriezona:

What do you get when you cross a joke and a rhetorical question?

A response.

Become resolved to the fact that there is no permanence to your happy summers;
Become consoled by the fact that there is no permanence to your woes;
Come to this banal truth with equanimity
And become.

Bangkok

The dog who watched us take off our shoes
on the steps before the laying Buddha,
this is for you. You were at ease,
not guarding, panting from the heat, warming
your belly on Bangkok’s stones.
Our shoes in a bag, passports strapped to us,
photographing the twenty foot high
resemblance of the man who asked not to
be praised - cast in mother-of-pearl the
man who shook off possessions - I
suppose to a dog looking up,
gods and humans are the same, barefoot idols
shuffling through a hotbox corridor
looking up at another barefoot
human with an immobile face,
downy eyes and nearly a tear.

Later you found shade beneath an
archway at the end of a long
line of Buddhas, almost identical,
decreasing in age towards you.
Some ideas are so respected
they need repeating in the same
manner every year, the same sculpture
carved beside the last, an echo,
a silent chant, and you lay there
at the end, the chant becomes your
visible panting. For a moment
you look into my eyes because
you recognised my feet, because
you know you take the place of the
next structure, you know that busy
hands will build upon where you sit,
that where you go, humans follow,
as they do with gods, with shadows.

Knowing Knowing

Technically speaking, there are no enlightened people; there is only enlightened activity. —Shunryu Suzuki

To drop the latch and your belongings,
to say ‘put down tomorrow’s feat,
put down the tune of yesterday,
put down what calls away your
attention from the endless breadth
of now’ - to drop the latch and slot
the key neatly in and not be reminded
of the worst sex of your life, to
look down at your shoes and not be
in a montage flashback of every
game of tennis last summer
when each stroke was a delayed rebuttal
from arguments before, the manly swipes,
the posed sliding on asphalt,
the gathering of balls found sunbathing
with the brown baking weeds,
to run a mile and feel every jolt
and not imagine a face to run from,
and not pretend there is an
amalgamated idol of petrified lovers
just past the traffic lights, to not
invent telepathy and play it like a game,
reading the negativity in the loiterers
outside the post office across the road.
To see a mirror and forget to ignore it.
To watch the face in perfect humble
clarity, to see it as a friend would,
to say okay on a daily basis to the eyes,
to see for the first time their glory-
colour, to be okay without repressing,
to drink a glass of sauvignon blanc
without accompany on a Thursday morning
because the work rota allows the luxury.
To turn the television off.
to back into the night because you must,
to back into the night so you cannot
grope your way with hands, to keep
reversing and to watch what you pass
and to only stop when necessary, and
even then not for long, and turn around
and give thanks to walls and tripwires—

in the morning, with nobody there to know,
to take off all your clothes and then
that final layer, to be devastated
by the contours of another’s, though
it may be only memory, to be distracted
by a speck of thought and start again,
to be one day older and to never age.